Yesterday, I went to the New Hampshire Historical Society to look at photos of the O’Kane-Demeritt House taken by Doug Armsden in 1955 for a Demeritt “Home of the Month” Feature in New Hampshire Profiles magazine. The 5″ x 7″ negatives show the original interior fireplaces in all their glory, and I will share the scans with you folks…
When I embarked upon a career in wood, I wondered whether I should become a furniture-maker, and construct finely joined objects of beauty, or build houses, which provide a lot more utility to people. I soon found that it was a false dichotomy; working in preservation, I can work on buildings that are constructed like…
Over the past month, an injection of new blood has invigorated the dismantling process. Not only have we three new Maine Preservation interns; Dave Ewing, Andrew Cushing and Noah Kerr, but Jim and Kendra, two clutch workers, to boot. Brian Cox has been on site, managing the inventorying and dismantling of the windows (stay tuned for…
On Friday, Scott finished removing the trim from the Pink Parlor, pictured above. I had eagerly anticipated the joinery surrounding the fireplace, given our recent work on another fireplace surround. The displaced surround, turned upside-down, is below: When I think about the era in which this house was built, in a relatively new country, with…
On Tuesday, Dan was removing southern yellow pine flooring in a room we’ve dubbed “the Pink Parlor.” As an earlier layer of flooring was uncovered, he detected beneath the scrim of sand and dust a pattern in the mottled finish. A little washing revealed a fine stenciling. Scott had also been working on dismantling the…
This is post about a persnickety process: After a piece of trim is removed from an O’Kane wall, it is taken over to a photograph of that wall and traced with a fine tip marker. The dis-assembler then writes a description of the piece on the item list for that wall and assigns it an…
Before it was dismantled, the fireplace in O’Kane’s Blue Parlor got a lot of attention. It is a simple-looking surround, with a single large panel above and an applied mantle, but it’s a good representation of the vernacular style from its era. Aside from a little bit of backband added in a Greek Revival-era renovation,…
We’ve been using softwood wedges, made from 2x stock, to carefully remove delicate moldings and wide wall panels. Either the wedges loosen the nails completely, or they provide use with enough room to slip a sawblade behind to cut the nail. Like ziploc tupperware, they can be reused, but eventually the edges get grungy,…
Over the past week, we have been using up our supply of softwood wedges at the O’Kane House. In the effort to gently remove the delicate, hand-planed moldings, we tap narrow wedges in along the paint lines, crushing the wedges with repeated use (and saving the edges of the trim). It is a slow, thoughtful…
On Friday, we peeled plaster from the walls of the Blue Parlor, in the O’Kane Farmhouse. Scott was Bill and I, Ted, as we traveled in our proverbial telephone booth through layers of plaster, lath, wallpaper and time. There were clues to some of what we might find. Surrounding the door openings were wooden strips,…